Exhibition and lecture at the Koblenz Guitarfestival 25 th to 31st of May
Lecture about "All a guitarist should know about acoustics" 31st of may 5:30 p.m.
Should we use amplification or not? This lecture explains room acoustics for guitarists which will help you to reach your audience better no matter whether you use amplification or not . Exhibition during the whole festival.
Sound advising for the festival.
Visit from Paris
Composer Jean Marie Raymond with his new Ebanista-Magnum. Jean Marie founded the french guitar magazine "Guitar Classique". He is now internationally touring as a soloist and with the “Trio Sortilèges” (flute, guitar, cello). His music is published by “Productions d’Oz”, Quebec.
German guitarrist Perry Schack plays a lot of chamber music. He writes about his Schlemper Classic-High-End sound system:
Dear Stephan, the amp is magnificant. Wherever
I play I get only the best comments. Everybody is amazed an amplifier can sound like this. It´s a complete new feeling to play with my chamber music fellows.
The new Magnum models
Classic-Magnum-Special and
Ebanista-Magnum
produce a very pleasant timbre. The slightly bigger body developes warm basses and clear trebles, without being to sensitive to nail noises.
Guitarrist Shin-Ichi Fukuda is one of the most important representatives of the japanese classical guitar. He performed the new Leo Brouwer concierto "Concierto da requiem" with his new Classic-Transparence guitar and Classic-High-End sound system. Due to the fact that this concierto requieres a lot of volume the system was also connected to the house system of the grand Grand Theater.
Talk of the month
Mexican born guitarrist Pablo Garibay studies Look at his performance with lower saxonian youth orchestra Concierto de Aranjuez 2nd movement, to balance the sound of his guitar with the orchestra he uses his Schlemper Classic-High-End system.
More about Pablo: www.pablogaribay.com
The olympic Guitar
At the final of the olympic games of Barcelona spanish guitarrist Feliu Gasull performed the Concierto de Aranjuez which was broadcasted by 8.000 TV- and radio-stations worldwide. The guitar he used was not a spanish one. It was one of my instruments equipped with finest high-end tecnology. Feliu has absolute confidence in my guitars and amplification systems. Feliu still owns this memorial guitar.
